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Introduction Soft Machine Gary Husband Gilad Atzmon Yan-Vedaman Jeff Beck Paco de Lucia Dire Straits Bob Dylan David Bowie Joss Stone Norah Jones Chet Baker Jaques Brel Andrés Segovia Dolly Parton Velvet Underground Buena Vista Social Club U2 Dave Brubeck Abba The Police The Cult Janis Joplin John Coltrane Miles Davis Frederic Chopin Tom Waits Lucio Battisti The Beatles The Rolling Stones Queen Édith Piaf Sona Jobarteh Guns & Roses Tal Wilkinfeld Johann Sebastian Bach Franz Schubert Lead Belly Leonard Cohen Niccoló Paganini Fernando Sor Pink Floyd Antonio Vivaldi

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My musical heroes

“Many people say that modern contemporary popular music, as in contrast with classical music, is not conducive to studying. As far as I am concerned, just for the sake of flying in the teeth of popular belief, I would argue that all compelling beautiful music makes me listen carefully, and could therefore draw my mind away from reading and reduce the concentration level. At a low volume, for instance, Girls Aloud may be easily neglected or ignored, whereas Bach’s six cello suites or Vivaldi’s Four Seasons may entreat or call for my full attention. Having said that, my friends - if you are struggling with quantum mechanics, your best bet is probably to turn the radio off altogether.”

Introduction

This is not a list of what I want you to think the very best is. And by all means, it is not in alphabetical order. It's not fully inclusive of all my favourite music either. Taste is taste, and everyone is entitled to their own. This is only me trying to share impressions, feelings and anecdotes. Inspiration – under the influence of some cognac – sometimes allows me to do so. Eric Clapton, for example, may not be on this list, but that doesn’t mean his music isn’t one of my many pleasures, as well as the music of many other artists throughout time, not only from the “Western” tradition, but also those who are not yet well-known and appreciated in the UK. Believe me, over the years I have listened to a lot of music, but I probably still have many heroes to discover. This page is only a brief account of my lifelong joyful listening. I hope you’ll enjoy reading it.

Soft Machine

Historical innovations.

The band's ability to effortlessly navigate between powerful progressive jazz fusion, atmospheric psychedelia, improvisation and ambient loop music is truly remarkable. This versatility is a testament to the exceptional musicianship of some who I think must have been among the best in the world, and have graced the Soft Machine line-up since the heady days of the late 1960’s, showcasing their collective talent and their commitment to pushing the boundaries of what is possible. A must-listen for all fans of jazz-rock fusion.

Gary Husband

Drumming wizardry.

Gary Husband, highly regarded in the world of fusion and jazz fusion, must be one of the best drummers around and it would be an honour only to hear him practice. The gigs with Allan Holdsworth (duets), which date back quite a few years now, create a mesmerizing synergy that is an absolute delight to experience. They must be some of my favourite things as far as music is concerned. Their collaboration yielded exceptional black masses that showcased Holdsworth's innovative guitar playing and Husband's versatile skills on drums and keyboards.

Gilad Atzmon

Perfect saxophone.

With an eclectic musical style that blends jazz with various cultural influences, particularly Middle Eastern, he often employs passionate, expressive playing that combines technical proficiency with a strong narrative quality. John Coltrane is one of Atzmon's significant influences, particularly known for his innovative approach to jazz and his exploration of modal harmony. His use of microtonality, which is more prevalent in Arabic music than in Western jazz, adds a unique flavour to his performances. On a memorable evening at the 606 Club, a renowned venue for live jazz, the atmosphere was electric following a wonderful performance. From the perspective of the audience, no apparent misstep marred the evening, yet the grimace, juxtaposed against the jubilant backdrop of compliance and appreciation, served as a poignant reminder of the inherent tensions that artists often navigate.

Yan-Vedeman

Enlightening journey.

In a world saturated with music, the discovery of an artist who stands out is a rare and exhilarating experience. Recently, I encountered the work of saxophonist and producer Yan-Vedeman, and I was profoundly impressed by the extraordinary quality of sound and the innovative style that defines his immersive electronic and acoustic, jazzy and fluid musical soundscapes, which evoke a wide range of emotions and atmospheres.

Jeff Beck

One of my favourite all-round guitarist of recent times.

Rock-Fusion Heaven: Why Jeff Beck's Ronnie Scott's Concert Was Unforgettable. Let's be honest, finding a concert that blows your mind is rarer than a politician keeping a campaign promise. But trust me, this one was different. I'm talking about Jeff Beck's legendary show at Ronnie Scott's, featuring Tal Wilkenfeld, Vinnie Colaiuta, Imogen Heap, and the one and only Eric Clapton. Forget your average rock concert; this was a masterclass in musical virtuosity. Even *I*, a self-proclaimed music snob, was utterly captivated. The interplay between these musical titans was simply breath-taking. Vinnie Colaiuta, the drumming powerhouse, was like a metronome on steroids. He held the whole thing together with the precision of a Swiss watchmaker. And Imogen Heap? Her vocals were out of this world, the index raising and the soaring from ethereal highs to soulful lows, each note perfectly articulated. Her stage presence was electrifying, a mix of fierce determination and pure artistry. Then there was Tal Wilkenfeld, the bass goddess. Her ferocious talent on the bass was matched only by her tiger-like stage presence. Every grimace was a testament to her dedication. But let's face it, the star of the show was Jeff. This man is a living legend, a guitar virtuoso who seems to embody the spirit of Jimi Hendrix. His playing was mind-blowing, a perfect blend of rocky grit and technical mastery. This concert wasn't just about the music; it was about the energy, the skill, the sheer joy of witnessing these musicians at the top of their game. It was an unforgettable experience, one that left me speechless and craving for more. So, if you ever get the chance to see Jeff Beck live, don't hesitate. You might just experience a musical epiphany. It must be worth the trip, even if you have to sell your entire collection of stamps to afford the ticket.

Paco de Lucia

Master of the Six Strings (and the Fishing Rod)

Let's be real, folks. There's a special kind of magic in flamenco music. In its modern ways, it probably traces back mainly to Paco and Camaron de la Isla (the voice of Flamenco) It's raw, passionate like a Spanish summer storm. Paco's mastery of the instrument was legendary, his fingers dancing across the strings with a fluidity that seemed almost supernatural. "Entre dos aguas"? A masterpiece, no doubt. It's the kind of music that makes you want to throw your arms in the air and shout "olé!" while simultaneously wishing you could play like him. But beyond his technical prowess, Paco de Lucía possessed something really special. His music embodied the spirit of flamenco, a vibrant mix of joy, sorrow, and the raw essence of life itself. I felt the need to watch his funeral on YouTube a few years after his demise, which took place in Algeciras, Spain, in February 2014 (Yes, I'm a little weird) Now, I know what you're thinking. Mozart? A dilettante. What's the deal, Tina? Well, let's just say Paco was the kind of musician who made you want to pack your bags, head to the Mediterranean, learn to play guitar and become a master fisherman. The man was a force of nature, and his music continues to inspire and captivate the new generations. So, if you're looking for a musical journey that'll leave you feeling truly alive, I suggest you dive into the world of flamenco, and start with Paco de Lucía. You won't be disappointed.

Dire Straits

The back room.

Mark Knopfler's guitar has played a significant role in shaping my musical taste and holds a special place in my heart. As a devoted listener of Dire Straits music, I have explored the extensive discography and have been captivated by the timeless classics. One memory that stands out is my first vinyl, which happened to be "Making Movies" with its iconic red and blue sleeve. It was a treasured possession that I held dear, a gateway to the world of music that Dire Straits created. However, listening to this album was not always easy, as I had to sneak into the back room to enjoy it. My father was particularly protective of the stereo and did not share it with us kids. This sense of secrecy and rebellion only added to the allure of this music, making it even more special to me. The influence extends beyond just the music itself. It was my personal induction into the world of English culture, a glimpse into a world that I would later come to fully appreciate when I eventually immigrated to London. This type of music, which I still find relevant and impactful, served a bit as a bridge to understand its complexities. I think it has definitely stood the test of time, and is a reminder of the power of music to transcend boundaries and bring people together in shared experiences of nostalgia.

Bob Dylan

A Poet Laureate of the Soul and singer song-writer

Last century's Bard and Nobel Prize-winning wordsmith had a knack for weaving profound truths into songs that resonate deep within our souls. He's not just a singer-songwriter, he's a chronicler of the human experience, capturing the raw emotions of heartbreak, disillusionment, and the yearning for something more. Early works like "Like a Rolling Stone" were raw and rebellious, a punch to the gut reminding us of life's harsh realities, the chagrin, and an admonishing god. And the downfall into a world for which there is no preparation. "The Visions of Johanna" delve into the more nuanced emotions of attraction, duty, and the constant struggle to wiggle through life's complexities. He throws us into the heart of the storm, leaving us wrestling with questions of identity and meaning of existence. One thing's for sure. Dylan demands attention, challenges our assumptions, and invites us to confront our own inner demons. It's a journey that can be both exhilarating and unsettling, a testament to his unparalleled talent for wielding words like a master craftsman. So, whether you're an EFL student seeking inspiration or a seasoned music enthusiast, enter the world of Bob Dylan. It's a world worth exploring, a world that will forever leave you pondering the depths of the human condition, one song at a time.

David Bowie

The ability of reinventing.

Let's dive into the world of David Bowie, the quintessentially English and classy Star Man! His music and style are timeless, making him a true icon of the music industry. Imagine being in Berlin, in the same atmosphere where Bowie once walked and lived. It's like stepping into a piece of music history and feeling a connection with the legend himself. The idea of David having the ability to defeat the devil is intriguing and adds a mysterious element to his persona. It's like he's a powerful force transcending mere mortal boundaries. Englishness and class go hand in hand, and David epitomizes both with his unique charm and style. He was a one-of-a-kind eclectic artist who left a lasting impact on the world. Thank you, David, for giving us the gift of your music and allowing us to dream and escape into your world of creativity and imagination. You will always be remembered as a true star 🌟.

Joss Stone

Barefoot sweetheart or music powerhouse?

Who knew Joss Stone could go from reggae to funk to R&B in one song? She's like a musical chameleon, or should I say, a musical mile-stone? If Joss Stone asked me to slap the bass guitar for her, I'd probably just end up slapping myself in the face with it. Leave it to the professionals, right? Imagine having Joss Stone posters all over your house. Your friends would think you've got a serious crush, but really you just appreciate good music, right? I wonder whether my wife would allow me to put one on our bedroom's wall, so that when she goes globetrotting, or travels to congresses, I might pretend that I am still able to play the digeridoo? All by myself, imagining that Joss is on the vocals... If Joss Stone ever goes missing, just follow the sound of funk, sultry vocals and slapping bass. She's like a musical trailblazer in a world full of one-hit wonders.

Norah Jones

A musical siren.

I've had more girlfriends than I have socks, but Norah Jones is the one that would have sticked around. And I'm not complaining because her music is like a warm hug for my soul. Norah, luring me in with her smooth voice and jazzy tunes. I swear, if she asked me to walk the plank, I'd do it with a smile on my face. People say you can't buy happiness, but I beg to differ. A Norah Jones album, a comfy chair, and a bucket of fried chicken is all I need for a good time. Norah is proof that angels walk among us and sing like velvet. If heaven had a jukebox, it would be playing Norah Jones on repeat. Norah is my spirit animal, my muse, my imaginary best friend. She may not know it, but we have a spiritual connection through her music. If Norah Jones was a food, she would be a perfectly aged cheese, smooth, complex, and best enjoyed with a nice glass of wine. Thank you, Norah, for being the cheese to my wine. My musical soulmate, my partner in crime, my ride or die. She may not know it, but we're destined to make beautiful music together. In my dreams, at least...

Chet Baker

Sadness is beautiful.

Chet's music definitely deserves a special spot in the memories of life's various soundtracks. It may not be Chopin's same intensity and gravitas, but his jazz sound puts you in a reflective and nostalgic mood, almost making you crave Havana cigars, things you can treat yourself to before lung disease, and maybe even after, if time's not on your side. The Be-Bop trumpet tradition relaxes and softens into smoother, more mellow phrases. It's cool, enjoyable, and forever relevant.

Jaques Brel

An influential prodigy.

Brel's songs often tackled themes of love, death, and the human condition, and his lyrics were known for their poetic and introspective quality. His music was a combination of chanson, cabaret, and folk influences, and he was admired for his passionate and intense vocal performances. Brel's music has had a lasting influence on French-language music and has been covered by numerous artists around the world. Some of his most famous songs include "Amsterdam" and "Le Moribond". If you want to start feeling serious about French art, start with "Ne me quitte pas". Forgive me if I am a little old fashioned, but some things of the past are more meaningful than what we may think of coolness today.

Andrés Segovia

The heir of Paganini that springs to mind.

Andrés Segovia was known for his impeccable technique, using his fingers to pluck the strings with great control and precision to create a rich, nuanced sound.

Dolly Parton

We love you, honey!

Oh, Dolly, the queen of country music with a voice as sweet as Tennessee whiskey and a personality as strong as moonshine. With your big hair, even bigger heart, and songs that tug at the heartstrings of anyone who has ever loved and lost, you have captured the hearts of fans all over the world. From Jolene to Nine to Five, your music is like a warm hug on a chilly night, comforting, familiar, and always there when we need it. But let's talk about Jolene for a minute. The way you sing about her in that song, it’s like she’s a force of nature that even you, with all your strength and spunk, can’t compete with. I mean, who amongst the women wouldn’t be jealous of someone who has the power to steal their man with just a flutter of her eyelashes? But here’s the thing. I’d like to think that if Jolene and I were ever in the same room together, we could bond over our mutual love for your music and maybe even become friends. And hey, if my wife ever starts feeling jealous, I'll just tell her to listen to a little more Dolly and she'll remember why she fell in love with me in the first place. And let’s not forget about Dollywood, the ultimate theme park for all of us die-hard Dolly fans. I can just imagine strolling through the gates, the smell of popcorn and cotton candy wafting through the air, your hits blaring from every speaker. And maybe, just maybe, we’ll catch a glimpse of you in the distance, and, inshallah, we'll be able to wave at your adoring fans. And if by some miracle we ever find ourselves in Heaven, which is a London borough, I’ll whip up a feast fit for a queen, or in this case, a queen of country music. So here’s to you, Dolly, the strong country girl who has touched the lives of so many with her music, her spirit, and her unwavering sense of self. Keep on reigning, keep on singing, and keep on being the beautiful soul you've always been.

Velvet underground

Vital and hypnotic ruggedness.

Ah, the age-old conundrum of the Diane 6 and the elusive quest for love. Buckle up, my friends, because this is going to be a walk in the wild side! First things first, let's address the elephant in the room: the guilt inducing valley girl. It's like you're starring in your own personal sitcom. Now, the question of whether you're from a different planet is a valid one. I mean, when you're still waiting for your soulmate 30 years after the Diane 6, it's safe to say that you're operating on a different wavelength than the rest of us mere mortals. Maybe you're an alien scout, sent to observe the mating rituals of the human species, and you're just waiting for your mothership to come and pick you up. But wait, there's more! The dilemma of whether to wait patiently for your man (or your woman, as the case may be) is truly a quandary worthy of a philosophical debate. Do you sit back and let fate work its magic, or do you take matters into your own hands and start swiping on every dating app known to man (or woman)? Personally, I like to think that you've just been biding your time, waiting for the perfect partner to come along and sweep you off your feet. Maybe they're a secret agent, or a professional cuddler, or a professional cat-wrangler, the possibilities are endless! And who knows, maybe they're just as quirky and out-of-this-world as you are, and together, you'll form the ultimate power couple that will put all other couples to shame. So, my dear friends, don't lose hope! Keep on keepin' on, and remember that love comes in all shapes, sizes, and species. And if all else fails, you can always just adopt a pebble and call it a day.

Buena Vista Social Club

Preferred Latino music.

Wim Wenders used their music in in the homonymous documentary, which was released in 1999. The film follows the journey of musician Ry Cooder as he travels to Cuba to reunite with legendary Cuban musicians and record an album showcasing traditional Cuban music. The music of the Buena Vista Social Club, a group of veteran Cuban musicians, is prominently featured in the film, which also explores the cultural and musical heritage of Cuba.

U2

The enduring allure of live performances.

In the ever-evolving landscape of the music industry, few bands have managed to maintain the level of global acclaim and impact that U2 has achieved over the course of their illustrious career. As one of the most iconic and influential bands of the modern era, U2 have consistently captivated audiences worldwide with their powerful live shows, captivating stage presence, and timeless musical compositions. At the heart of U2's enduring appeal lies their ability to seamlessly blend the technical prowess of their musicianship with the emotional resonance of their lyrics and performances. The band's sing-along melodies, ambient guitar riffs, and anthemic refrains have become integral parts of the global psyche, transcending the boundaries of musical genres and cultures. Bono and the Edge have become the faces of that New Wave sound, leading the charge and inspiring generations of music fans. Note the unwavering commitment to their craft and their dedication to delivering unforgettable live experiences. Despite the passing of time and the changing tides of the music industry, U2 has managed to maintain their relevance and captivate successive generations of fans, becoming one of the biggest live shows on earth.

Dave Brubeck

Jazz for all past, present and future seasons.

His music is a nice melodic induction to "classy but classless", without gloom. I would recommend it to anyone who wants to get a first glimpse of the genre, and is being bored by other trite things. Personally, I first developed my taste for jazz listening to Bird, having to acquire it the hard way, in the Gina's blue Citroën Diane 6 fitted with second hand stereo.

Abba

All-time romances.

Ah, the dulcet tones of ABBA, the ultimate soundtrack for that unforgettable love affair of yours. It's like they plucked the very heartstrings of your soul and set them to a glorious, disco-tinged symphony. The Scandinavian superstars possess a certain je ne sais quoi, an innocent charm and unabashed sincerity that makes you want to dance the night away, humming along to every word. Sure, Agnetha and Frida may have gained a few more life miles under their belts, but they'll forever be the ultimate dream girls, the ones that made your heart flutter with each "Mamma Mia" and "Dancing Queen." They're the girlfriends that every guy wishes to find, to woo, to hold, to slow dance with under the glittering disco balls. And you, my friends, you're the lucky ones who will listen to their timeless tunes on repeat, reliving that perfect romance, over and over again.

The Police

The Sublime Artistry of The Police.

In the annals of popular music, few bands have left as indelible a mark as The Police. Comprising merely three virtuosic musicians – Sting, Andy Summers, and Stewart Copeland – this ensemble transcended the constraints of their modest lineup to produce a sonic tapestry of breath-taking complexity and emotional depth. One cannot help but marvel at the sheer technical prowess and refined sensibilities that defined The Police's musical aesthetic. Their compositions, rooted in the foundations of rock, reggae, and jazz, were elevated by a palpable sense of sophistication and refinement. Sting's vocals, simultaneously gritty and mellifluous, conveyed a lyrical depth that belied the band's youthful energy, tackling themes of isolation and alienation with a poetic eloquence. The band's ability to conjure the grandeur of a full orchestra from a mere trio is nothing short of astounding. Songs like "Message in a Bottle" and "Synchronicity II" demonstrate the band's mastery of dynamics, texture, and intricate interplay, weaving together intricate arrangements that feel both intimate and expansive. The layers of rhythmic complexity, the intertwining guitar lines, and the subtle modulations of Sting's bass work collectively to create a sonic tapestry that envelops the listeners, transporting them to realms of heightened emotional resonance. For Kursivo and countless others, "Message in a Bottle" and the broader brilliance of The Police's oeuvre continue to resonate, leaving an indelible mark on the hearts and minds of music enthusiasts the world over.

The Cult

Hypnotic British rock par excellence.

Now there's a name that takes me back in time! These guys were the epitome of British rock back in the day, weren't they? Hypnotic, mesmerizing, and just the right amount of grit, their tunes had a way of getting under your skin and making you move, whether you wanted to or not. It's been a while since we've heard much from them, hasn't it? Which is a real shame, if you ask me. There's nothing quite like letting loose, getting completely lost in the rhythm and the raw energy of it all. Just close your eyes, let the beat take over, and dance like no one's watching. It's a cathartic experience, I tell ya. Of course, that kind of unbridled enthusiasm and youthful vigour isn't always easy to come by as we get older, is it? I'll admit, these days, I'm more likely to be found tapping my foot and nodding along rather than going full-on mosh pit. But hey, if I were still in my prime, I'd be right there on the dance floor, stomping my feet and flailing about to my heart's content.

Janis Joplin

Beyond musical skill.

Janis Joplin, often hailed as one of the greatest rock singers of all time, left an indelible mark on the music world with her raw, powerful voice and soulful performances. Known for her bluesy, gritty vocal style, Joplin brought a unique blend of rock, blues, and folk influences to her music that resonated deeply with audiences. Her emotionally charged renditions of songs like "Piece of My Heart" and "Me and Bobby McGee" showcased her exceptional talent and passion. Janis Joplin was also known for her colourful and free-spirited personality. She embraced a bohemian lifestyle, exuding an air of rebelliousness and individuality that captivated fans and admirers. Joplin's fierce independence and unabashed authenticity endeared her to many, as she fearlessly challenged societal norms and embraced her own quirks and vulnerabilities. However, it is widely speculated that being in a romantic relationship with Janis Joplin would have been a challenging endeavour. Her tumultuous personal life, struggles with addiction, and intense emotional highs and lows undoubtedly posed significant challenges for anyone close to her. Joplin's and penchant for excess likely made maintaining a relationship with her a demanding and testing experience, requiring a partner to navigate through the highs and lows of her complex personality.

John Coltrane

Spiritual jazz and the transcendental journey.

The essence of John Coltrane's musical legacy lies in its ability to transcend the boundaries of mere artistic expression, delving into the realms of the metaphysical and the divine. For many, his seminal work "A Love Supreme" stands as a testament to the power of jazz to elevate the human spirit and connect us with the underlying rhythms of the universe. One might initially approach such spiritual themes with a degree of scepticism. However, the transformative power of Coltrane's music has the potential to challenge even the most steadfast of non-believers. Through the immersive experience of his compositions, atheists may find themselves on a journey of self-discovery, questioning the very nature of their existence and the possibility of a higher power. The intricate interplay of syllables and notes, combined with the saxophone's emotive voice, becomes a conduit for the recounting of the human condition. Work that serves also as a token of remembrance, a means to confront the very essence of suffering, and to seek solace for one's own soul. It is as if the music itself is imbued with a divine spark, guiding the listener through a transcendental experience. For the agnostic or the believer, Coltrane becomes a testament to the power of faith and the transformative potential of the spiritual realm. Listeners embark on a shared odyssey, one that challenges the boundaries of their own beliefs and invites them to explore the mysteries of the divine.

Miles Davis

Important standards and trends of contemporary music.

Miles was a highly influential figure in the world of jazz, known for his innovative approach to the genre. His style is often characterized by its cool, smooth, and understated quality. Miles' stage presence was marked by a commanding yet nuanced approach to leading his ensemble. His glances and stern expressions conveyed a sense of direction, as he guided the other musicians through the performance. Occasionally, he would punctuate the music with brief, precise keyboard interjections, adding the final touches to the collective sound. Despite his demeanour, moments of approving smiles would surface, signalling his satisfaction with the group's execution of the musical phrases. This combination of authoritative direction and subtle approval revealed Miles' mastery of ensemble leadership, as he shaped the performance with a keen, experienced eye. Credited with pioneering the subgenre of "cool jazz", Miles was a master of improvisation and had a distinctive, lyrical trumpet playing style that set him apart from other musicians. He also played a crucial role in the development of modal jazz, which emphasized the use of scales and modes rather than chord progressions. This approach allowed for a more open and exploratory style of playing, and the watershed album "Kind of Blue" is often hailed as a defining work of the modal jazz genre. One of the hallmarks was his willingness to constantly evolve and experiment with new sounds and styles. Over the course of his long and illustrious career, he explored various musical influences, incorporating elements of rock, funk, and even electronic music into his later works. His restless creativity and willingness to push the boundaries of jazz have cemented his status as a true musical innovator whose influence can still be felt in the world of jazz and beyond.

Frederic Chopin

Music for the miserable.

For me, the piano needn’t have existed if it weren’t for Frederic, a drug addict who can single-handedly make you sob through rendering the gravity of life and self-discipline with some of the best ever conjured up phrases. So, thank you for giving us the gift of a good cry and sweet dreams after the emotional purge. Who needs therapy when you've got a stereo and a box of tissue?

Tom Waits

French in English (oh boy!)

Pas-de-Calais in the winter. The roads were quiet and icy. Still engraved in my memory, as well as the unforgettable scent of cherry lips, are the melancholy, the tragedy, the claustrophobia, and all the other bitchy things I assumed were to do with her French quarters. Still today, this is the way Tom Wait's music, solace to the lovesick, gets into my sick-bed, in continuous yearning cycles. Other remembrance ambiances include the Berlin night clubs, at times when cigars were still allowed in public places. And of course my bedroom in the Gina's apartment, where I hung the most beautiful clothes bags on the wall. I didn’t mean to displace you – buddy – but sorry, you have been the one who helped me recover from the sorrows of departure, estrangement and surrogacy (I will get over all this shortly, I think). One thing here is certain: the pianos have been drinking, and still do. And as you may have just guessed, Sir, some types of disappointments are the exquisite stuff of life, no matter what they say. Never a bitter feeling, darling. Those days were roses.

Lucio Battisti

Passionate songs and beautiful melodies.

"The most beautiful of my mother's dresses was all black. With flowers not yet wilted" (Italian women have a long history of incorporating flowers into their attire. In the past, Italian women often adorned their dresses with fresh flowers or floral patterns as a symbol of femininity, beauty, and elegance. Flowers were commonly worn in the hair, on the neckline, or as accessories to enhance their outfits for special occasions or everyday wear. This tradition continues today in various forms, such as floral patterns in clothing, accessories like flower hair clips, and even fresh flowers worn as brooches for formal events)

The Beatles

Magic in Liverpool.

The Beatles songs are widely considered to be some of the best ever and encompass a wide tapestry of tones and emotions. "Yesterday," "Eleanor Rigby," and "Norwegian Wood" are some of my all time favourites, because of the subtle melancholy which resonates with a certain English sensitivity, reflecting a sense of reserve and understatement. Watching old Beatles videos can evoke a strong sense of nostalgia, and can transport me to times when my life was imbued with frustration and wistful escapism.

The Rolling Stones

It’s only Rock & Roll but I like it.

Ah, the Rolling Stones, the quintessential rock 'n' roll royalty that has been gracing our eardrums for more decades than I can count on my fingers (and toes!). These are the biological heirs of a pure, unadulterated form of American rock and blues, but with a delightfully English twist. Now to the fashion sense; it's a little flamboyant, sure, but immaculately decent. I mean, have you seen the way Mick sashays around the stage in those tight pants and ruffled shirts? It's enough to make a grown person swoon (and possibly faint). And let's not forget the emotional power of their ballads. I can still remember the days when I'd be cruising around in the nanny's old Citroën Diane 6, listening to "As Tears Go By" and shedding a tear or two. It's like they have this magical ability to tug at our heartstrings while also making us want to jump around like maniacs. Keith is the human embodiment of a rock 'n' roll legend. That cheeky grin, the skilful rhythm guitar playing, and the iconic bandanna. It's enough to make a person a little bit scared and a whole lot in awe. So, if you'll excuse me, I'm going to go blast some Stones and channel my inner rock god. And, hey, if you're buying, I'll happily accept a pint. The next round's on the house, of course!

Queen

Freddie is the Almighty.

Watching Live Aid of July 1985 must clearly be one of the best rock experiences to enjoy. Freddie is full of himself and jostles the stage and the piano. Brian? Well, I don’t think many can boast such a CV: outstanding guitarist, campaigner, and scientist. What an eternal show!

Edith Piaf

Extraordinary talent as a singer.

Singer-actress Edith Piaf had one of my favourite personalities of the past. Everyone remembers her immortal songs such as "La Vie en Rose", which by the end of 1945 was already a success. Nicknamed "La môme" (It translates as "The Kid" or "The Little Sparrow" in English, due to her petite stature and youthful appearance), Edith had a very tumultuous life. A childhood without ties, numerous romances, the grief due to the death of her only great love, the boxer Marcel Cerdan, who accompanied her until the end of her days. In my opinion, the best tune (music by Charles Dumont) was "Non, je ne regrette rien". It reminds that there's no point dwelling on the past, on things that cannot be changed. No point crying over spilled milk. The "môme" always lived for others, for her audience, for her lovers. She still remains one of the greatest voices in the history of music.

Sona Jobarteh

West African cool on the kora.

Having a rather fiery temperament, I'll admit that African mellow music doesn't often make it to the top of my playlist. But there's just something about Sona. Imagine this: you're in a posh restaurant, the soft glow of candlelight illuminating the table as you gaze adoringly at your lady. The air is thick with anticipation, and you're ready to engage in some serious lovey-dovey talk. But then, the soft arpeggios of Sona and her band fill the room. It's as if a spell has been woven. Suddenly, you're completely mesmerized. You find yourself utterly captivated by her skilled guitar and kora playing, and you can't help but be drawn in. Sure, your lady may shoot you a few jealous looks, but you simply can't resist the allure of Sona's irresistible charming sound. Now, I'll admit that the lyrics, sung in a Gambian language, are a mystery to me. But in Sona's voice, I detect a tinge of sadness, a resignation that seems to permeate all her songs. "All beautiful music contains a degree of sadness", some say. Sona pours her heart out, and you can't help being moved by the raw emotion in her voice.

Guns & Roses

Russian roulettes.

In the glorious world of Guns N' Roses, the lines between hard rock and American Dream blur like a hazy mirage in the desert. This music, my friends, is not for the faint-hearted. But what a ride! "Knocking on Heaven's Door": it's like they're taking Dylan's original, giving it a good shake, and then serving it up with as uncontrolled hard rock. Axl Rose's vocals are strident, but so powerful they could probably shatter the pearly gates, while Slash's guitar work is like a siren's call, luring you straight into the abysses. It's probably the alpha and omega of the genre, with a dash of reckless abandon thrown in for good measure. Let's talk now about that incident from the '90s, shall we? You know, the one where someone was driving you full speed across a provincial intersecting road, without stopping? Sounds like a classic case of Russian roulette-style shenanigans, while Guns N' Roses tunes were blasting in the car. That irresponsible bumpkin was clearly living life to its full potential as if it was the day he had just discovered his parents' liquor cabinet, even if it meant risking limbs and life. What else can I say? At the end of the day, Guns N' Roses are the embodiment of the "American Dream Cum Reality", a band that takes the ideals of success, freedom, and rock, and turns them over the top.

Tal Wilkenfeld

Enfant prodige with a bass guitar.

In one of her early interviews she said that when it comes to playing a musical instrument everyone is equal. Now, in order to fly into the face of such disarming naivety, besides having to acknowledge that myself as well as most other ordinary people are instrumentalists of absolutely no talent, I could also argue that even Johnny Marr admitted to the press that The Smiths were not a band of equal, implying that himself and Morrissey were the major driving force behind that particular phenomenon.

Johann Sebastian Bach

The cello is pukka. But the organ is a yawner, isn't it?

J.S. Bach, one of the greatest composers in the history of music, was a prolific and versatile musician whose works encompassed various genres and instruments. While Bach is widely known for his contributions to Baroque music, particularly his compositions for organ and choir, he also made significant contributions to the repertoire for the guitar and cello. Bach's compositions for the guitar and cello showcase his exceptional skill in writing intricate and expressive music for string instruments. His Cello Suites are among the most beloved and admired works for solo cello, demonstrating his mastery of counterpoint, harmonic complexity, and emotional depth. These suites, composed between 1717 and 1723, are a testament to Bach's ability to create music that is both technically demanding and profoundly moving.

Franz Schubert

Getting acquainted…

Franz, the maestro, seemed to have an insatiable appetite for the piano. It's as if the poor guy couldn't get enough of those ivories, churning out work after work like a well-oiled (or should I say, well-fingered) machine. And here we are, mere mortals, trying to get our feet wet in the vast ocean of Schubert's piano-centric compositions. Now, you mention the ever-popular "Ave Maria" as your go-to these days, but you've got quite the eclectic taste, my friend. David Garrett, the violin virtuoso, has certainly put his own spin on this classic, making it a must-listen for the modern-day music aficionado. But let's not forget the likes of Bono and Pavarotti, powerhouses of vocal prowess, who have undoubtedly brought a tear to the eye of even the most stoic of listeners. Pathetic? Hardly! It just shows the universal appeal of Schubert's timeless masterpieces.

Lead Belly

The oldest and purest forms of blues.

Alright, let's start with the evolution of modern music. First, let's talk about the blues. The bedrock upon which all other recent genres have been built on finds Lead Belly as its number one pioneer. He said it all with a cheap guitar. Now to ragtime, even older. The rebellious teenager of the music world, the only transition from classical to popular I am aware of, ragtime was all about syncopation. And now some trivia! The title of Scott Joplin's famous tune "Maple Leaf Rag" refers to the Maple Leaf Club in Sedalia, Missouri, where Scott performed early in his career. The Maple Leaf Club was a popular venue in the late 19th century, and Joplin composed the ragtime piece as a tribute to the club. The "rag" in the title refers to the syncopated rhythm and lively style characteristic of ragtime music, which gained popularity in the late 19th and early 20th centuries. It's the kind of music that makes you want to grab a partner and do the Charleston, even if you have two left feet. And then, of course, there's jazz. The cool, suave old sibling of the contemporary musical family, jazz is all about improvisation and quick, smooth moves. It's the kind of music that makes you feel like you're living in a black-and-white film, sipping on a martini and looking fabulous. But wait, it doesn't stop there! Enter rock and roll, the wild child of the bunch. This is all about shaking your hips, letting your hair down, and just having a good time. It's the music that makes you feel like you can conquer the world, or at least the dance floor. And let's not forget about Nirvana and the rebellious, grunge-y interpretation of Lead's "Where did you sleep last night", that shook up the whole scene. They're the ones who surely made more money than the legendary blues forefather, all while rocking out in their ripped jeans and flannel shirts. So? What's the moral of this story? Well, I guess it's that music is ever-evolving, and each genre has its own unique charm. And hey, maybe Nirvana don't even know anything about the cotton industry!

Leonard Cohen

Pensive moods.

Leonard's music has a sophisticated elegance and a calming effect, with gentle melodies. I would guess that the time he spent in the monastery provided him with a sense of peace and introspection that is reflected in the music. His songs often explore themes of spirituality, love and mortality. While I don't always fully grasp the meaning of his lyrics, they certainly provoke thought. He was undeniably charismatic, and he was quite probably attractive to many women. It's unfortunate that someone betrayed his trust and stole from him. It makes me ponder on the diverse spectrum of human nature. Are we all either givers or takers? If so, I would certainly class Leonard as a giver.

Niccoló Paganini

More than a whim.

I find the Late Baroque period the most captivating. It's music that possesses a structured beauty that offers a sense of order and a meaning in life. As I mature, I find myself increasingly drawn to the works of Paganini. I can never get enough of his guitar sonatas and ghiribizzi (or whims), which are superb study compositions full of energy and all worthy of being recollected as exemplars of genial craftsmanship. Niccoló is probably my favourite composer of all times. Therefore, the undersigned hereby argues that any of his themes, such as the Violin concerto No 1, should replace the Italian national anthem “Inno di Mameli”, which is rubbish. Don’t forget! Niccoló was not only a fine guitarist and violinist. (The guitar was his favourite instrument. If I remember well, he kept one even when indebted he had to sell his entire collection of other instruments). He was also a gambler and a womaniser, an historical acknowledgement that endears him to us all. Caprice 24 is something that sends a 220 V electric shock up the rectum, and then directly into the brain neurons. And for such emotion to be fully experienced, I can only recommend the endeavours and interpretations of a lady of sexy, unassuming looks and upright discipline: Hilary Hahn.

Fernando Sor

Oh Smooth classical guitar.

Because in my spare time I began to very much enjoy listening to classical guitars, Fernando Sor is one composer that might bestow good background music at dinner parties. As far as I am able to appreciate, his guitar is far more melodic and slower than Paganini’s, who is the best. But Fernando's arpeggiation of chords can still be a point of reference for modern musicians and others who seek inspiration from the past.

Pink Floyd

Venice 1987.

At the heart of Pink Floyd's allure lies the ability to craft sonic landscapes that transport the listener to realms of pure relaxation. Their music was a testament to the power of innovation, as the band deftly wielded cutting-edge techniques and instrumentation. From the haunting, ethereal textures of "Echoes" to the mesmerizing, pulsing rhythms of "Money", Pink Floyd's work serves as invitations to a state of zen-like contemplation. "Interstellar Overdrive", one of my favourite, is yet another cosmic journey that exemplifies this approach to psychedelic rock. When it comes to that otherworldly, mind-bending sound, Pink Floyd are still in a league of its own. Even with all the technological advancements in music production, nothing's really come close to the sheer sonic beauty and innovation they pioneered back in the day. It's like they carved out this whole new universe, do you know? The shift to digital just hasn't sparked that kind of radical musical evolution, at least not in my book. Pink Floyd's stuff still hits different. The legacy of psychedelia, I think, must have its roots somewhere between Syd and David, and the guilt felt that had almost become a collective emotion. I went to the Venice concert of July 87, which caused overcrowding and delays of the trains and was live on Italian national TV. Devoted fans eagerly awaited the moment Gilmour's legendary guitar soared to life! In a mesmerizing display, the band took the stage on a colossal platform floating in the centre of the lagoon, creating a distance between the spectators and the performance. The crowd, who were granted free admission, had been gathering since the crack of dawn, their excitement building up with each passing hour until the first notes reverberated across the water. St Mark Square was chock-a-block, and full of take-away remainders on the cobblestones. And Mary's scent in the air had been widely dominant throughout the whole day. The concert was very good, I guess, but the real highlight was the lead-up to it, because everyone was trying to get as high as a kite, building up the anticipation, only to be let down a bit by the low volume. Apparently, the mayor didn't want the historical buildings to be damaged, so they had to keep it down. (You've got to love bureaucrats, am I right?) Not that anybody cares, but at one point during that long wait, I fell asleep like a canned sardine amongst all those wierdos with the hookah pipes, in the scorching sun, only to wake up a couple of hours later with a narrow strip of hot suntan in my ankle, between the bottom edge of my jeans and my sock. Why bother with sunbeds, mate?

Antonio Vivaldi

Resurrecting the dead.

Antonio the Venetian was known as the Red Priest, not because he was a commie, but simply because he was a ginger-haired fella. And possibly a wanking pussy too. Played at my funeral, I want Vanessa May’s techno interpretation of the Summer Storm, and not one of the Leonard Cohen’s dirges. If that won’t make me come back, no other piece of music will.

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