My New Phases: Kursivo into the Quirky Abysses of Sound
In 2024, Kursivo has returned with an ambitious new album titled “My New Phases,” available on Spotify. This latest follows the intriguing journey laid out in the previous “lunar phases albums” and takes a bold step forward, expanding its sonic palette with fresh electronic influences. With a seamless blend of genres, the album invites listeners to embark on a transformative auditory experience that feels both familiar and exhilaratingly novel.
The opening track, “La Follia,” sets a profound tone for the album. Spanning a remarkable 10 minutes, this classical crossover piece draws inspiration from Vivaldi’s renowned sonata, showcasing a rich tapestry of virtuosic instrumentation. Textures and dynamics are layered to create a narrative that ebbs and flows, capturing the essence of both classical tradition and contemporary innovation.
Following this grand introduction, “Rest and Digest” delivers a refreshing pop-rock vibe reminiscent of “Razzle Dazzle,” featured in the previous album. This track serves as a sonic meditation, designed to soothe the flight or fights of daily life. The engaging guitar counterpoint towards the end may remind of some Baroque composition.
Next, “Quack in String G-Flat” inserts a playful and whimsical spirit into the album. Described as a “party of irate ducks” (and maybe an inflatable flamingo too), this track pairs a lively modern jazz beat with unexpected synth elements. The result is an infectious burst of energy for originality and fun, making it a highlight for anyone seeking a joyous escape. If it doesn’t make you want to waddle carefree through a park, I don’t know what will!
“Messiah Pariah” transcends genres, weaving African percussion influences with classical instrumentation, including a captivating cello and acoustic guitar sporadic notes. This track is characterized by rhythm. The dystopian effects and the breath gate are just the icing on the cake. Who wouldn’t want their existential crisis set to music?
As we traverse the album’s landscape, “Pink Bidets” presents an intriguing juxtaposition within its playful arrangement. The blend of bass and acoustic guitar creates a classical counterpoint, all while being anchored by a laid-back jazz beat. The crescendo that culminates adds a layer of complexity. Ultimately, in a world full of bathrooms fitted with white enamel pans, “Pink Bidets” stand out as oddity.
In “Random Thoughts,” Kursivo explores the interplay of volume dynamics, manipulating hi-hats and kicks to create an immersive soundscape that evokes visceral reactions. The use of electronic effects adds layers of suspense, capturing the awesome essence of a heart racing. It’s all good, even if it feels like something’s lurking in the shadows.
Closing the album, “Deep Water Growls” immerses listeners in an emotional depth previously unexplored. The angry, suppressed screams combined with the resonant Reese bass and acid bath synths evoke an oceanic landscape rich with psychological reverberations. This track embodies the raw and unfiltered emotions that lie beneath the surface. If you have gills and a good pair of water-resistant earbuds, swim through it.
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